Plans for folk music, blues, a jazz cabaret, arts workshops, and maybe a café were “something new” at a 5 à 7 on August 31st, when the new Cultural Centre committee launched a new season of activities. More than 50 people enjoyed a bountiful buffet, including a strong contingent of young adults.

“Something old” is the “magnificent building,” in the words of Martine Staehler, who chairs the new activities committee. The crowd was seated café-style in the Mackenzie Chapel, built in 1910 in Gould Station, and moved in 1958 to become the Sunday School space for the Bury United Church. The Bury church was built in 1898; the two small buildings form a unique L-shape, with intricate wood panelling lining the interior.

In 1998, a committee led by Margaret James formed the Bury Cultural Centre, known for its art shows. Now, the new committee promises a much more active program for all ages.

The crowd applauded when Staehler described upcoming events, a Folk-Blues show as part of the Religious Heritage Days, now past; a Jazz Cabaret on September 27 with the Trio du Haut; poetry and drawing workshops on September 28; an art show with more than 15 local artists on October 19; a Migratory Roots Festival with Literacy in Action on October 31, with a collective kitchen and crafts; dance and music workshops on September 15, October 6 and 27, and at the Victoria Hall on November 8; and arts and crafts workshops on September 22 and October 13, and December 1st at the Bury Library.
Staehler said she was glad to see so many young people involved. “I think they need a place to get together,” she said. “And this is such a beautiful space.”

She pointed out their initiative needs support from local people, both volunteers and participants, as well as financial assistance. The committee plans to apply for grants for the activities, as well as to restore the building and perhaps winterize it. She hopes to open a café in May 2025, if they have adequate support.
Just before dessert, the crowd fell silent as Chloë Fortier sang and played her autoharp, beginning, “I heard a story…” Then Sandy Lalancette gave a rousing rendition of a traditional Quebec song, “Mes Sabots,” accompanied by clapping and chanting. Both performances earned enthusiastic applause.